Stage 4(Sage): The Picture of Dorian Gray, chapter 16

CHAPTER 16

A cold rain began to fall, and the blurred street-lamps looked ghastly in the dripping mist.

Lying back in the hansom, with his hat pulled over his forehead, Dorian Gray watched with listless eyes the sordid shame of the great city, and now and then he repeated to himself the words that Lord Henry had said to him on the first day they had met, “To cure the soul by means of the senses, and the senses by means of the soul.” Yes, that was the secret. He had often tried it, and would try it again now. There were opium dens(1) where one could buy oblivion(2), dens of horror where the memory of old sins could be destroyed by the madness of sins that were new.

“To cure the soul by means of the senses, and the senses by means of the soul!” How the words rang in his ears! His soul, certainly, was sick to death. Was it true that the senses could cure it? Innocent blood had been spilled. What could atone(3) for that? Ah! for that there was no atonement; but though forgiveness was impossible, forgetfulness was possible still, and he was determined to forget.

The hunger for opium began gnawing at him, and he told the driver to make the horses go faster. The driver laughed and whipped up. He laughed in answer, and the man was silent.

The way seemed interminable(4). The monotony became unbearable, and as the mist thickened, he felt afraid. Most of the windows were dark, but now and then fantastic shadows were silhouetted(5) against some lamplit blind. He watched them curiously. He hated them. A dull rage was in his heart. As they turned a corner, a woman yelled something at them from an open door, and two men ran after the hansom(6) for about a hundred yards. The driver beat at them with his whip.

It is said that passion makes one think in a circle. Certainly with hideous iteration(7) the bitten lips of Dorian Gray shaped and reshaped those subtle words that dealt with soul and sense, till he had found in them the full expression, as it were, of his mood.

Suddenly the driver drew up with a jerk at the top of a dark lane.

“Somewhere about here, sir, ain’t it?” he asked huskily(8) through the trap.

Dorian started and peered round. “This will do,” he answered, and having got out hastily and given the driver the money he had promised him, he walked quickly in the direction of the quay(9), glancing back now and then to see if he was being followed. In about seven or eight minutes he reached a small shabby house that was wedged in between two gaunt factories. In one of the top-windows stood a lamp. He stopped and gave a peculiar(10) knock.

After a little time the door opened quietly, and he went in without saying a word.

At the end of the room there was a little staircase, leading to a darkened chamber. As Dorian hurried up its three rickety steps, the heavy odour of opium met him. He heaved a deep breath, and his nostrils quivered with pleasure. When he entered, a young man with smooth yellow hair, who was bending over a lamp lighting a long thin pipe, looked up at him and nodded in a hesitating manner.

“You here, Adrian?” muttered Dorian.

“Where else should I be?” he answered, listlessly. “None of the chaps will speak to me now.”

“I thought you had left England.”

“I don’t care,” he added with a sigh. “As long as one has this stuff, one doesn’t want friends. I think I have had too many friends.”

Dorian winced and looked round at the grotesque things that lay in such fantastic postures on the ragged mattresses. The twisted limbs, the gaping mouths, the staring lustreless(11) eyes, fascinated him. He knew in what strange heavens they were suffering, and what dull hells were teaching them the secret of some new joy. They were better off than he was. He was prisoned in thought. Memory, like a horrible malady(12), was eating his soul away. From time to time he seemed to see the eyes of Basil Hallward looking at him. Yet he felt he could not stay. The presence of Adrian Singleton troubled him. He wanted to be where no one would know who he was. He wanted to escape from himself.

“I am going on to the other place,” he said after a pause.

“On the wharf(13)?”

“Yes.”

“That mad-cat is sure to be there. They won’t have her in this place now.”

Dorian shrugged his shoulders. “I am sick of women who love one. Women who hate one are much more interesting. Besides, the stuff is better.”

“Much the same.”

“I like it better. Come and have something to drink. I must have something.”

“I don’t want anything,” murmured the young man.

“Never mind.”

Adrian Singleton rose up wearily and followed Dorian to the bar. A sailor was sitting there sleeping. Dorian took no notice of him.The women there sidled up and began to chatter. Dorian turned his back on them and said something in a low voice to Adrian Singleton.

A crooked smile writhed across the face of one of the women. “We are very proud to-night,” she sneered.

“For God’s sake don’t talk to me,” cried Dorian, stamping his foot on the ground. “What do you want? Money? Here it is. Don’t ever talk to me again.”

Two red sparks flashed for a moment in the woman’s sodden eyes, then flickered out and left them dull and glazed. She tossed her head and raked the coins off the counter with greedy fingers. Her companion watched her enviously.

“It’s no use,” sighed Adrian Singleton. “I don’t care to go back. What does it matter? I am quite happy here.”

“You will write to me if you want anything, won’t you?” said Dorian, after a pause.

“Perhaps.”

“Good night, then.”

“Good night,” answered the young man.

Dorian walked to the door with a look of pain in his face. As he drew the curtain aside, a hideous laugh broke from the painted lips of the woman who had taken his money. “There goes the devil’s bargain!” she hiccoughed, in a hoarse voice.

“Curse you!” he answered, “don’t call me that.”

She snapped her fingers. “Prince Charming is what you like to be called, ain’t it?” she yelled after him.

The drowsy sailor leaped to his feet as she spoke, and looked wildly round. The sound of the shutting of the hall door fell on his ear. He rushed out as if in pursuit.

Dorian Gray hurried along the quay through the drizzling rain, quickening his step as he went, but as he darted aside into a dim archway(14), that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat.

He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver(15).

“What do you want?” he gasped.

“Keep quiet,” said the man. “If you stir, I shoot you.”

“You are mad. What have I done to you?”

“You wrecked the life of Sibyl Vane,” was the answer, “and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die.”

Dorian Gray grew sick with fear. “I never knew her,” he stammered. “I never heard of her. You are mad.”

“You had better confess your sin, for as sure as I am James Vane, you are going to die.” There was a horrible moment. Dorian did not know what to say or do. “Down on your knees!” growled the man. “I give you one minute to make your peace—no more. I go on board to-night for India, and I must do my job first. One minute. That’s all.”

Dorian’s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. “Stop,” he cried. “How long ago is it since your sister died? Quick, tell me!”

“Eighteen years,” said the man. “Why do you ask me? What do years matter?”

“Eighteen years,” laughed Dorian Gray, with a touch of triumph in his voice. “Eighteen years! Set me under the lamp and look at my face!”

James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway.

Right away he saw the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life.

He loosened his hold and reeled back. “My God! my God!” he cried, “and I would have murdered you!”

Dorian Gray drew a long breath. “You have been on the brink of committing a terrible crime, my man,” he said, looking at him sternly. “Let this be a warning to you not to take vengeance into your own hands.”

“Forgive me, sir,” muttered James Vane. “I was deceived. A chance word I heard in that damned den set me on the wrong track.”

“You had better go home and put that pistol away, or you may get into trouble,” said Dorian, turning on his heel and going slowly down the street.

James Vane stood on the pavement in horror. He was trembling from head to foot. After a little while, a black shadow that had been creeping along the dripping wall moved out into the light and came close to him with stealthy footsteps. He felt a hand laid on his arm and looked round with a start. It was one of the women who had been drinking at the bar.

“Why didn’t you kill him?” she hissed out, putting haggard(16) face quite close to his. “I knew you were following him when you rushed out from Daly’s. You fool! You should have killed him. He has lots of money, and he’s as bad as bad.”

“He is not the man I am looking for,” he answered, “and I want no man’s money. I want a man’s life. The man whose life I want must be nearly forty now. This one is little more than a boy. Thank God, I have not got his blood upon my hands.”

The woman gave a bitter laugh. “Little more than a boy!” she sneered. “Why, man, it’s eighteen years since Prince Charming made me what I am.”

“You lie!” cried James Vane.

She raised her hand up to heaven. “Before God I am telling the truth,” she cried.

“Before God?”

“Strike me dumb if it ain’t so. He is the worst one that comes here. They say he has sold himself to the devil for a pretty face. It’s eighteen years since I met him. He hasn’t changed much since then. I have, though,” she added, with a sickly leer(17).

“You swear this?”

“I swear it,” came in hoarse echo from her flat mouth. “But don’t give me away to him,” she whined; “I am afraid of him. Let me have some money for my night’s lodging.”

He broke from her with an oath and rushed to the corner of the street, but Dorian Gray had disappeared. When he looked back, the woman had vanished also.


+GLOSSARY

1/opium den(n): a vile place where people go to smoke opium (the dried, condensed juice of a poppy that has anarcotic effect and contains morphine, poisonous inlarge doses.

2/oblivion(n):the state of being completely forgotten or unknown

3/atone(v): compensate

4/interminable(adj):never going to stop

5/silhouette(n): a dark image outlined against a lighter background

6/hansom(n): a carriage for 2 people, popular in Victorian times

7/iteration(n): enunciation

8/huskily(adv)-husky(Adj): having a semiwhispered vocal tone; somewhat hoarse,as when speaking with a cold or from grief or passion

9/quay(n): a landing place constructed along theedge of a body of water

10/peculiar(Adj): weird, queer, strange

11/lustreless(adj): dull, not shiny

12/malady(n): illness

13/wharf(n): quay (See no.9)

14/archway(n): an entrance or passage under an arch

15/revolver(n): a handgun having a revolving chambered cylinder for holding a numberof cartridges, which may be discharged in succession without reloading

16/haggard(Adj): emaciated

17/leer(v): to look sideways in a malicious manner

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